The Arts, film and theatre, combined with media studies, is a popular area for study for many who wish to be more attuned with political and social events, enjoy looking at the history of the development of the arts and who wish to gain a better understanding of people.
Should you be considering a dissertation on the theme of theatre and film studies then it is important to connect to a topic that is contemporary, engaging and with enough scope for you to engage with the literature available. The following sections will highlight some of the key issues and debates concurrent within the field of theatre and film studies, including issues related to COVID, and digital innovation. Is this a positive step for theatre?
This is a controversial area, and recent casting decisions such as black actress Jodie Turner Smith playing Anne Boleyn for Channel 5 has opened up a race debate in the media. Does this actually matter, or is it an issue worthy of academic debate? Entering these zones are interesting for debate, and there has been much media attention to both of these areas in the Arts.
Theatre sometimes struggles with an elitist brush applied to it, with Panto and West End Musicals seen as more for the masses. Getting the public into theatre became impossible as they were closed during the pandemic and the future is uncertain. Likewise, the closure of cinemas has seen the likes of Amazon and Netflix fill the void with their own productions; further down the chain, fan-made films on outlets such as YouTube have shown new avenues for film, outside of the main cinema and producers.
Dwyer, Ruth. Kirkley, R. Smith, Catherine. Sperdakos, Paula. Blasting, Ralph. Chiba, Yoko. Fort, Timothy. Pilkington, Lionel. Rockett, William. Walsh, Paul. Day, Moira. Johnston, Denis. Peel, William. Rewa, Natalie. Abel, Douglas. Copeland, Nancy. Filewood, Alan. Wagner, Anton. Westley, Meg. Blagrave, Mark. Forbes Park, Alan. Kleber, Pia. Lenton, Gerald Bartley Bruce. Lynde, Denyse C. Westfall, Suzanne R.
Gardner, David Emmett. Parry, David Mackenzie. Rudakoff, Judith D. Skene, Reginald R. Butler, Susan Hardy. Elliott, Hilary M. Gaskell, Ian. Much, Rita E. Salter, Denis William Salter. Cooper, Thomas William. Hendrickx, Johan R. Levine, Ira. Redfern, Jon. Rittenhouse, Jonathan. Usin, Lea V. Binnie, Eric. Diamond, Marc Leslie. Fulks, Wayne M.
Plant, Richard L. Craven, Marilyn A. Dugan, James. Schonberg, Michael. Braid, Angus. Elchen, Sylvia V. Hannaford, Stephen. Kelly, Veronica. Mlodzik, Ronald Antony. Froelich, Alfred. Lane, Harold. Lytle, Thomas Allen. Aikens, James. Medjuck, Joseph A. Stephenson, Anthony. Astington, John Harold. Stuart, Euan Ross.
Whitehead, Graham. Brigg, Peter. Kaplan, Joel. Skip to main content. Google Tag Manager. Search form Search. Clair, Skvorecky, J. Walker Parker, R. Brian Elliott, Hilary M. Film and the Illusion of Reality Skvorecky, J. Request new password. This question is for testing whether or not you are a human visitor and to prevent automated spam submissions.
Performing in the Multicultural Melting Pot The impact of diverse cultures on actor training and performances in Canadian theatre, film and television. Out of the fringes: equitable training practices in a 'multicultural' Toronto. Step Right Up! Recollections of a Spectator: How intent, style, and familiarity may effect attitudinal change in the theatre spectator.
Locating the Real in Contemporary Canadian Performance. Stowell-Kaplan, Isabel. Gallagher, Kathleen. Pauline Johnson Tekahionwake. Plant, Richard. Esonwanne, Uzoma. Political Stages: Gay Theatre in Toronto, Pietropaolo, Domenico. Johnson, Stephen. Revermann, Martin. Soldovieri, S. Levenson, J. Astington, John H. Keil, Charles. Hast Thou Been Tampering? The Dramaturgy of Sound in Futurist Performance. Quayson, Ato. Made in Kanada? Armatage, K. The Poetics of Regret: Performance as Nostalgia.
The Staged Painting of Samuel Beckett. Howard, P. Kortenaar, Neil ten. Hart House and the International Art Theatre. Noel Coward and the Queer Feminine. Murray, H. Doucette, L. Sidnell, M. Ambros, Veronika. Leggatt, A. Wilkinson, J. Hayne, B. The Stages of Augustin Daly. Bryden, Ronald. A Critical Analysis of Cirque du Soleil, Bouissac, P. Corman, B. Johnston, A. Neglia E. Flinn, C. Marker, Lise-Lone. Peter Barnes and the Nature of Authority.
Marker, Frederick J. Actor Training in Toronto: Theory in Practice. Kerckhove, D. Klausner, D. A Phenomenology of Dramatic Dialogue. Parker, R. Feminist Theory and Nightwood Theatre. Saddlemyer, Ann. Professional Companies and Performers in Ontario, to The Role of the Designer in Canadian Theatre. Georg Fuchs and the Concept of the Relief Stage. Jaumann, H. The Staging of Biblical Plays in Coventry, to Prolegomenon to the Study of Dramatic and Theatrical Theory.
Dramaturgical Strategies for Producing Laughter. Textual Adaptations for Amateur Performances in Quebec, Cinema of Cruelty: Affective Rhetoric in Film. Skvorecky, J. Blostein, D. Courtney, R. Tolton, C. Malcolm St. Clair, Parody in the Plays and Productions of George F. Incandescence and the Birth of Modern Lighting Design, The Acting of Edmund Kean, Tragedian.
A Stage History of Troilus and Cressida. Playwriting in the Maritime Provinces, Davies, Robertson. The Development and Nature of Vaudeville in Toronto, Lancashire, D.
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